Right, but you walk down the street in Buenos Aires and in a given day it would not be unusual not to see a single identifiably black person. Pretty much everyone is darker than I am, but essentially nobody looks black unless they're from somewhere else. But statistically, probably many of those non-black people you're seeing do indeed have African genes from the not to distant past!
What you see in the Streets are:
en.wikipedia.org
- Mulato: (proviene del término “mula”): cruza de negro/a con blanco/a.
- Tercerón: cruza de blanco/a con mulato/a.
- Cuarterón: cruza de blanco/a con tercerón/ona.
- Quinterón: cruza de blanco/a con cuarterón/ona.
- Zambo: cruza de negro/a con aborigen.
- Zambo prieto: que tenía fuerte color negro.
- Salto atrás: cuando un hijo era más negro que sus padres.
The deliberate invisibility of Afro-Argentines and their culture has been a notable manifestation of racism in Argentina, related to skin tone or African origins.
On October 9, 2006, the Afro-descendants and Africans Forum was created in Argentina, with the aim of promoting social and cultural pluralism and the fight against discrimination against this population. In that act, the president of the National Institute against Discrimination, Xenophobia and Racism (INADI), María José Lubertino, recognized the invisibility of Afro-Argentines with the following words:
Afros in Argentina have been invisible and today remain invisible. This is the result of a diaspora process produced by slavery and its transformation into servitude ... The current social stratification places them in poverty.
Racism in Argentina related to skin tone
Racism in Argentina
In Argentina, as in the other countries of America, racism related to the skin tone or the African origin of people dates back to the times of colonial domination. In the caste regime imposed by Spain, the descendants of people from black Africa occupied an even lower place than the descendants of people belonging to the original peoples.
Colonial racism passed to a certain extent to the Argentine culture, as shown by certain phrases included in the national literature. During the mid-nineteenth century, death duels were common between mongrel and Afro-Argentine gauchos. In Argentine literature, these disputes were represented with racist dye in a famous passage from José Hernández's book, Martín Fierro (La ida), published in 1870, in which the main character duel with a black gaucho after insulting his girlfriend and insulting him with the following verse:
God made whites,
San Pedro made mulattos,
The devil made the blacks
To blight of hell. ?
Several years later, in 1878 Hernández published the second part of his famous book, in which Fierro holds a famous payada in which he discusses philosophical issues (such as life, creation, existence, etc.) with another black gaucho that results Be a brother of the previous one. Demonstrating the evolution of the character and probably of Argentine society in the process of receiving millions of European immigrants, this time Martín Fierro avoids the duel when it seemed inevitable.