mini said:
You don't think this is happening here?
Of course it is- but much less than in Seattle, or Portland, NYC or San Francisco, Tokyo, Bangkok, Singapore, Shanghai, and a dozen other cities I could name.
There are probably 20,000 Casa Chorizo's left standing in Buenos Aires today, 2 dozen buildings on the level of the Palacio Barolo, (Palacio Barolo is truly spectacular when compared to ANY building, ANYWHERE) and 2000 or 3000 beautiful french provincial and art noveau 3 to 5 story mixed use buildings, just in the inner part of the city.
I have walked, with architecture books and maps, Torino, Milan, Brussels, and Paris- and Buenos Aires has more great architecture from that period still standing than the first three, and is a close tie to the last.
Most US cities are unrecognizable, even from as recently as 20 years ago, and certainly 80% of the good buildings from 50 years ago are gone in most of them. Detroit is tearing down 10,000 to 20,000 houses a YEAR. Youngstown Ohio is bulldozing entire neighborhoods. Springfield Ma and Pittsburgh and Buffalo have let incredible gems moulder, rot, and collapse.
But walk down Corrientes, and see more, better, art deco movie houses and theaters than in all of the USA. Stroll down Cordoba, or Scalabrini Ortiz, and see example after example of period ironwork, great stonework.
Walk the microcento, and look in the lobbies of office buildings on Hipolito Irigoyen or Rivadavia, and see marble, bronze, and woodwork, chandeliers and elevators and stairways that you have to pay a million dollars to own in NYC or Paris or London.
So yes, while there is certainly some demolition here, and they are building a lot of crappy cheap apartment buildings in Palermo Hollywood, the architectural richness of Buenos Aires is truly incredible, and, for a city of its size and age, most of it is virtually untouched.
And thats not even getting into La Plata, or Mendoza, or Rosario, or the great treasure of the Francisco Salamone structures throughout Buenos Aires Province, or the art deco buildings in Tucaman and Salta.
Salamone alone would be hailed as a national genius if he had lived in Belgium or LA- but here, there isnt even a book in print about his work.
I travel a lot. I look at architecture, particularly the period I most love, from about 1880 to 1950, all over the world. I lived in LA for ten years, driving obscure neighborhoods all the time looking for specific buildings. I go to cities in Europe just to see the metalwork of Mazzucatelli- and I have to say, people here just dont know what they got- its incredible.
The economy, the distance from the rest of the world, and the lack of easy credit have all contributed to a lot of preservation, by world standards. Not all factors that Porteno's would have chosen on purpose- but the net result is unintended or not, historic preservation on a massive scale.