I Went To See A Band...

Friday night. Matienzo, second show, which means 1am.
First a bit of Dj Smink- Patricio Smink, playing live electronic drums, while mixing in other beats, over various cumbia turro tracks. All the chicas say YEAH.
Then, the main attraction, Pimenton- ElectroCachengue- Smink still on percussion, but with electric keys, electric guitar, another percussionist, and a very fiesty Ivanna on lead vocals. Girl can SING.

https://www.youtube.com/watch?v=NtkND7r5dj8

Free download here- http://pimenton.bandcamp.com/album/laiv-seshion

being the old wimp that I am, I bailed right before 3am, missing El Remolon's set, which, I am sure, was great. He is always great.
 
And I am gone.
For a while anyway.
gotta go back up north, landed a big job.
I was hoping for another dozen or more evenings out, but it will have to wait til next fall.
But if I WAS going to be here, I would be going to this show for sure.

http://www.usinadelarte.org/agenda/king-coya/
 
While you are away, Ries, we will miss your enthusiastic posts. Will look forward to your return to the music scene in BsAs. Meanwhile, congratulations on your job, and safe travel!
 
I will be back, I am a yo-yo, with a place in Buenos Aires that calls me back regularly.
 
I have been working in the north- but I am back for a touch and go-
a few hours after getting off the plane, it being a Tuesday, I was at LaGrande, at Santos Dumont 4040.
Had a groovy handmuddled cocktail, a great albondigas sandwich, and watched another night of amazing music. Recent talk of retiring in Buenos Aires makes me think- if I could go to LaGrande every tuesday, maybe retiring in BA would be alright.
Three completely different guest vocalists- including Paloma Del Cerro.
This is one of the most interesting musical series going on anywhere right now, not just in Buenos Aires.

https://www.youtube.com/watch?v=SkqtKtGDCqY&feature=share
 
Miercoles, I hit a very unusual show-
At the Academia Francesca, which is in the microcento, and is something between an embassy and a bank in decor, in the elegant auditorium, sitting in a plushly upholstered seat, I saw a free show by A-lix, which is a french/argentine duo that plays 1980's postpunk, heavily influenced by the Cure and similar bands of the era. Odd, but oddly enjoyable.
Opening act, for reasons that probably have to do with who went to school with who 20 years ago, was local electro/DJ/cumbia performer Mati Zundel.
I bought his latest release in january, I like his stuff.
He did a solo laptop mix, with live andean pipes, charengo, and lots of singing and rapping dropped in over his live mixes of prerecorded and found musics.
https://www.youtube.com/watch?v=NbUfQpF3PFA

then A-lix came on- it was a bit like travelling in time. Very 80s, but they are both good guitar players. I found it somewhat mysterious that he chooses to sing in english- I think it would be a bit more soulful and honest if he would just sing in french, his native language.
Still, quite an enjoyable, comfortable show. The crowd was a mix of local hipsters, french immigres, and zzk fans.

https://www.youtube.com/watch?v=uhe_SFlkNw4
 
Jueves was Bellas Jueves-
Its the final thursday of each month at the Museo de Bellas Artes.
Bellas Artes is where you go if you want to see what the wealthy bourgeois of 1880 considered the best art- so its a bit behind Malba, Macba, Mamba, Proa, and a half dozen CC's in terms of contemporary credibility, so, to bring in the chicos and chicas, they do a night, once a month, for free, with bands playing.
We went early, which was good- by the time the fashionably late were arriving, there was a line outside a block long, hundreds of people waiting.

First band was Lulacruza, who are from Columbia, but have longstanding ties to Buenos Aires. They are similar to Tonolec, a folkloric sound with electronics. The lead singer has a wonderful voice, and their last album was recorded on Orcas Island, only a few miles from my home in the USA. They were one of the first groups recorded in the new studio built by Bruce Pavitt, one of the founders of SubPop records, and first label for Kurt Cobain. They played a 20 minute set in front of a 4 meter by 6 meter Aubouisson tapestry.
https://www.youtube....h?v=HkKa9eEqQDU

then, we moved down the hall to a room of 17th century nudes, where rapper CeHacheRespira performed. Cumbia rap, and, at the museum, he was site specific, rapping about academics versus the streets. Periodically, he would move to a different old master painting, to use as his backdrop.
http://cehacherespira.bandcamp.com/
he was backed, not by a prerecorded track, but by Milo Moya, who is a human beatbox. Beatboxing, when it first became known 35 or so years ago, was a novelty, like a sound effects record, but Milo is an artist, and it was, at times, easy to think he was actually a 303 and an 808, not a human being. He is really good.
here is an example of how Milo can be the band, for just about anyone.
https://www.youtube.com/watch?v=JilbAioFVD8

The third band in the museum was Femina- originally, they were more hip hop, but now, they are pretty folkloric too- playing charengas and Gibson SG's, along with flutes and electronic drum tracks, three women who all sing. They were a bit more electric than this track, but looked and sounded great, again, in front of a backdrop of old masters, with nervous guards every 3 meters along the walls, as the gallery was completely packed.
https://www.youtube....h?v=vE_RFgWRAR4

we left, but there was another set, on the rooftop terrassa, later, with free wine- needless to say, it was standing room only.

Once a month, the last thursday, the Museum puts on a similar show- its free, well curated to have a balanced mix of music, professionally run, safe and takes place early in the evening.
I totally recommend it to all- there were babes in arms, 20 something hipsters, and jubiladas in attendance.
 
Saturday there were far too many choices- I could have easily gone to 4 different shows and enjoyed each one.
But we chose to go to the beautiful Teatro Xirgu, which is part of the Catalan Club in San Telmo.
check out the virtual viaje here- http://www.viajesvirtuales.es/teatro_margarita_xirgu_buenos_aires_argentina-130281-es.html

its a wonderful building, with a great restaurant, a catalan library, and this theater, which is like travelling back in time.

I went specifically to see a band I knew of, SobreNadar, which I have not seen in its entirety before- I have seen half of it, Javier Medialdea, who does electronics and keys- but not the main member, Paula Garcia. Its really her band. I have seen Javier DJ, and play Sobrenadar tracks, but I really wanted to see her perform.
They opened, with an ethereal set that was very magical.
https://www.youtube.com/watch?v=g6pSsOgtKHI

The headliner that night was a band I have heard of, but never seen- Asalto al Parque Zoologico.
They dont fit any category- I would have guessed punk, by the name, and been wrong- in fact, their recorded output is very reminiscent of the Cocteau Twins, or Mazzy Star, or even a bit of Cowboy Junkies.
But this was the release party for their new album, HexaDecimal, and they played it song by song.
Live, they are a wall of sound.
The lead guitarist has a serious Thurston Moore complex, even playing Fender Jazzmasters and Jaguars, hard to find, expensive guitars, made popular by Tom Verlaine, and, later, Thurston Moore, who would often tour with a dozen or more of them, each specially tuned. This guy also had a dozen effects pedals, and he was INTO playing loud guitar.
He is balanced, however, by two females on stage, singing lead and backing vocals, Luxx and Marina.

https://www.youtube.com/watch?v=EMQIWzEct54

It was LOUD, but I was sitting in a textured red velvet seat, and I dug it.
 
I went to see Die Toten Hosen the last 23rd of May at Groove, I could not believe the amount of Germans that they were there. Amazing show and amazing people!
 
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